If you're using a first-generation KOMPLETE KONTROL MK1 keyboard, the features described here require GarageBand 10.1.1 (or higher) as well as KOMPLETE KONTROL 1.6.1 (or higher).
#BITWIG STUDIO COPY MIDI NOTES BELOW PRO#
Action in Pro Toolsįor a quick-reference guide to using the S-Series keyboards in Pro Tools, please download the DAW shortcut sheet below. However, it is still possible to adjust the volume and pan for tracks in the current bank using knobs 1-8 and SHIFT + knobs 1-8. Note: The A-Series and M32 keyboards do not have a Mixer mode. Push 4-D Encoder left / right or up / down Track Navigation and Control Action in Pro Tools *A Click Track must be created in Pro Tools in order to be able to activate / deactivate it with the METRO button. Function Guide Transport Control Action in Pro Tools Note: We recommend always inserting the KOMPLETE KONTROL plug-in on Insert A of an instrument track. Pro Tools is now ready to be used with your KOMPLETE KONTROL keyboard.
Click OK to confirm the settings and close the Peripherals window.The ports and MIDI channel will populate automatically. Select KOMPLETE KONTROL in any of the drop-down menus in the Type column to add the keyboard.In the Peripherals window, go to the MIDI Controllers tab.Navigate to the Setup tab in the menu bar and select Peripherals.Ensure that the keyboard is connected to your computer and switched on.Note: This feature requires Pro Tools 2021/10 or later, and is not available with the S-Series MK1 keyboards.
#BITWIG STUDIO COPY MIDI NOTES BELOW HOW TO#
In the meantime, enjoy this great demo video.The following explains how to set up Avid Pro Tools for KOMPLETE KONTROL S-Series Mk2, A-Series, and M32 keyboards. You’ve also got a row of buttons, so it’s looking pretty simple.Īntigone already sounds excellent, and I look forward to hearing more about the details. You navigate the interface via 4 endless encoders and 1 clickable encoder. There’s also no mention of filtering, but you have mixing and panning of all the voices. You have 4, audio outputs which can be configured in either stereo or mono. Presumably, if playing polyphonically, you’d use 4 lots of CV/Gate to control the voices, leaving you with 2 for modulation. There are 6 CV and 4 gate inputs that can be assigned to anything. The note processor can handle things like chords and arpeggiations.
You get all the usual suspects for modulation, such as LFOs, ADSRs, S&H, etc. At the moment there’s no mention of Mutable Instruments Plaits, which is often the source of multi-engine oscillations, so these may be new sound engines, but we will see. You have 16MB of RAM into which to load samples and wavetables. Sound engines include the likes of virtual analogue, supersaw, FM, sample player, wavetable, and plucks. One sound-generating machine slot can be run on each voice along with one note processor slot and four modulation slots. You can use the voices monophonically, polyphonically or paraphonically. Anigone is a Teensy-based digital synthesizer voice with 4 voices. Nanopolis is bringing the prototype version of Antigone to Superbooth.
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